When I first met Miguel, I never imagined some day I would make an opening speech for an exhibit of his artwork. At the time I didn't know that much about visual arts and I only had a scant notion about the intensty of the whole process in the creation of a pictoric work.

Maybe just because of a natural disposition in me toward arts and surely due to the strength Cerejido faces each painting's birth, I started appraising the world of canvases, brushes, airbrushes..., and I began to understand how much of sleeplessness, nonconformity and satisfaccions are behind the work of each artist; and also got to understand the beauty of the pieces we now have before us.

I think today is the time to thank him for all I learned about art and graffic design, which has been so useful in my own work and my professional life.

And I said "pieces" referring to his paintings with the pronounced intention of considering them as visual and musical artworks at the same time in the universe of this artist who refuses to separate this two expressions of art.

For the wide scope the meaning of his works has on the spectator, Cerejido is hard to set in an specific branch or a unique classification.

The best definition perhaps would be to call him "postmodern", since he appropiates element from POP ART, ART DECO, illustration and graffics in general to create melodic lines with the sounds of Rock and Blues, and harmonies from the best Bach and Stravinsky's concerts.